History of Mexican Papier Mache Sculpture
The
course that inspired me to start this sculptural form of Papier Mache was based on
an original
sculptural Mexican style
started
earlier this century and now world famous with exhibits found in major
museums
and art galleries worldwide.
Pedro Linares (1906-1992) was the original creator of a bestiary of mythical,
dragon-like beasts
made from reeds
or wire, paper, paint and an inspired imagination. It is said that Pedro
Linares
had an amazing dream whilst recovering
from an illness in which these fantastical creatures appeared.
They
called these creatures "Alebrijes".
Popular artists such as the Linares in Mexico are known as "
cartoneros " Pedro Linares created and
subsequent generations
now create alebrijes which include fantastical dragons, beasts and winged fish
on legs,
floral decorated skulls, devils and
skeleton figures.
Although many other Mexican craft shops sell items described
as "Alebrijes" it is the Linares families and
further generations thereof who produce the true "alebrijes". Pedro's sons
and grandsons now continue
the tradition
and their works are widely collected.
The "alebrijes" are still made with the same method to
this day. All alebrijes are basically created in this manner.
However,
the most important factor is the imaginative vision of the artists to
produce such original fantastical
creatures.
The process is quite simple : an armature is made from reed or wire in the shape
of the final body.
To build up certain
areas newspaper can be taped on when dry before adding the glued layers.
A
home made paste is produced using
flour heated up in boiling water. Sheets of plain brown paper or
newspaper
are added in layers to cover the frame until it is
firm. This may take some time as some of these
creatures are extremely
large. The figure then has to dry thoroughly.
In Mexico, the sunny weather speeds up this process. All sorts of wondrous
extremities are then added
including
wings, horns, tails, fierce teeth, bulgy eyes and a whole host of other
creative additions. The
final figure is
painted white.
Then is the time
for the colourful painting.
The Linares use brushes of cat hair
to achieve the fine lines.
Colours which would normally clash are painted side by side in intricate
patterns and produce stunning results.
The attention to detail is quite amazing with a series of repeated scales, and
intricate patterns including tear
drops wiggly
lines and series of dots. A steady hand and eye is a must to produce such
a carefully detailed
vision of colour.
These "alebrijes" are now transported all over the world and the bigger ones may
be made in sections that fit
together
to aid transport. In 1990 the Mexican Government awarded Pedro
Linares the National Prize for
Popular Arts and
Traditions (Premio Nacional de
Ciencias y Artes en la Rama VI, Artes y Tradiciones
Populares).
The work of the Linares is now being avidly collected by European and American
museums and
collectors.
In London, at the Museum of Mankind, papier mâché figures by Felipe and
Leonardo were included
in the exhibition
"The Skeleton and the Feast: the Day of the Dead in Mexico" (1991-1993).
This included a huge installation entitled
"The Atomic Apocalypse: Will Death Die?" showing the
figures of Famine,
War, Pestilence and Death presiding over
a selection of scenes depicting the evils
of the modern world. There are also
examples of their art at the Gallery of
Modern Art (Glasgow),
St Mungo's Museum of Religion Glasgow and The Royal
Museum of Scotland in Edinburgh.
In 1992 Felipe and Leonardo were artists in residence at the
Museum of Mankind, during which they
created a giant
"alebrije" and a 3 metre high "Judas" figure complete with
skull masks for the Museum's
permanent collection.
In 1996 Felipe Linares Mendoza and his sons Felipe and
Leonardo created a large installation entitled "The Seven Deadly Sins" for the new Museum of Art in Glasgow. Each scene was
represented by a flying
"alebrije"
and by a group of skeleton figures. Part of the "The Atomic Apocalypse:
Will Death Die?" sculpture
was on display
at the British Museum this year in an exhibition
called "Living and
Dying "where I took these
photos. The
exhibition explored festivals for the dead, the spirit world, the earth and how
people deal with death
through burial and mourning, how they provide for the dead in their afterlife and how in some places people
draw on ancestors to
assist them in the world of the living.
These pictures show a section of
"The Atomic Apocalypse: Will Death Die?"
and a close up of
"Famine"


For further information
on the Linares Family:
The Exhibition Catalogue from the "En Calavera"
Exhibition at the UCLA Fowler Museum of Cultural History is a very good source book for information about the family and
colour pictures of the Linares art. "En Calavera" The Papier Mache Art of the Linares Family
Susan Masuoka (1994)
is available from UCLA Fowler Museum of Cultural History.
I managed to pick up a copy of the "En Calavera" Catalogue on the US
Ebay for about £35.00
Another brilliant book which has Linares photos is "The
Skeleton at the Feast" The Day of the Dead in Mexico
by Elizabeth Carmichael and Chloe Sayer. This was published for the Trustees of
the British Museum by British Museum Press in 1991 and is still sold at the
British Museum and is quite pricey. I also got my copy through US eBay so you
can try that.
The British Museum also has a 15 minute film entitled "Paper Magic"
of the artists Felipe and Leonardo Linares working
at the Museum of Mankind in 1992. This can be purchased.
There is an interesting article entitled "Wild Dreams
and Rainbow Faces: The Famous Alebrijes Artists of Mexico"
by Catherine Ryan - Editor, NOVICA.com.
>>See Link
Check out these two website as well
>>Mexican
Museum and
>>La Presna San Diago
You will find further links to other websites which have
details
on Alebrijes on our
>>Links page.
Have a look at my own interpretation of the Mexican
>>Alebrijes
on this site.
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